Google Reader Shared Items on New Media Aesthetics – January 7, 2010
Re: [Yasmin_discussions] Call for Applications 2010 – Scholarships Art & Science Grad School, UdK Berlin – January 5, 2010
[Yasmin_discussions] Call for Applications 2010 – Scholarships Art & Science Grad School, UdK Berlin – January 5, 2010
Digital Art History Databases – January 4, 2010
- Maybe, until now, the most well-made list for whom [...]
Leonardo Electronic Almanac interns call
from Yasmin Announcement digest vol 42, issue 1
Leonardo Electronic Almanac
*JOB ANNOUNCEMENT* Istanbul December-30-2009
*SUBJECT* Editorial Interns
*LEA Internship Opportunities*
LEA: Leonardo Electronic Almanac is looking for two skilled and enthusiastic recent graduates to join our team. LEA is the international leading publication in art, science and technology part of Leonardo, ISAST and MIT Press family.
We commission new [...]
Google Reader Shared Items on New Media Aesthetics – December 31, 2009
N E W M E D I A A R T . E U
December 31, 2009
Electronic Arts Intermix : Mission & Activities
December 31, 2009
SCANZ 2011
December 28, 2009
Call for Applications: The Camargo Foundation Academic and Artistic Fellowships – deadline 12 January 2010
December 15, 2009
UNESCO Fellowships
December 15, 2009 – Training and fellowship schemes constitute for UNESCO a [...]
[2009-2; ADV] Swann’s way
Video and Theatre as an Intermedial Stage for the Representation of Time by Guy Cassiers
fragments / 2009년 9월 15일
Balkan peninsular. and understanding better on how to kill the rats.(Marina Abramovic 마리나 아브라모비치)2009-09-15 20:54:37
이 글은 YG님의 2009년 9월 15일의 미투데이 내용입니다.
[2009-2; ADV] The actor as intermedialist: remediation, appropriation, adaptation
This article mainly covered two aspects how the intermediality appropriated or adapted during the early era of cinema history. The article is written by Ralf Remshardt. Below is abridged texts from full book.
p.42
In this chapter, I am interested particularly in the moment of transition when the apparatus of the early cinema redefined the “real” of [...]
