Korean

대부분 기 드보르에 대한 사항임을 참고할 것
계간 문화과학 vol 26, summer 2001; 상황주의자 기 드보르, 이득재 http://moonkwa.jinbo.net/journal5.html
origianal article from dbpia
현장에서 미래를 제 122호 – 7월 연구발표회, 이승우, 최후의 아방가르드, 상황주의자 인터내셔널
정성철, 상황주의자 인터네셔널:역사, 이론, 실천, 종이포럼a
윗글의 다른 링크
이원영, 프랑스 상황주의자 운동과 90년대 한국 문화 운동, 급진생태주의 환경웹진 Econetzine
choje.egloos.com; situationist

English & French

Situationist international online
Situationist International – Wikipedia, the free encyclopedia
The Situationist International Text Library
Situationist International Anthology

variablization of aesthetic subject in the computer-based media art

Like a random function in Math class in any kind of high level program language, subject in the media art functions as an Math.random() method. Regardless of the numbers of parameter which is passed to the core algorithm or the main OOP model, there are no doubt that the subject, usually participants, in new media art works as a signal emitter. They produce many kinds of signals, and then the computer-based artwork find the desired pattern among the bunches of the signals made by the participants. During this process, the participant works as a function. With this point of view, the computer-based media art is the evolved form of the Turing machine by Alan Turing. Then the artwork itself becomes the continuum of the objects. that can be called as a environment. Or sometimes, we simply name it as an interface. Thought the state of the interface in these day is so primitive, there are no doubt that the artwork is the perceptible execution code. Even the simplest program code run by the simplest type of Turing machine, the purpose of the computer code is to variablize human behavior, or finally, the subject. Like a point of view in the functionalism, or those of the situationist, the most important role of the human subject is his function in his own situation.

- deus ex machina
- functionalism
- Descartes
- situationist