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	<title>multiplicité &#187; de Kooning</title>
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	<description>A Penetration into the Retina, and Beyond.</description>
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		<title>[2009-2; ADV] Introduction</title>
		<link>http://vizualizer.com/multiplicity/art/theory/2009-2-adv-introduction/</link>
		<comments>http://vizualizer.com/multiplicity/art/theory/2009-2-adv-introduction/#comments</comments>
		<pubDate>Tue, 01 Sep 2009 08:36:01 +0000</pubDate>
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				<category><![CDATA[2009 fall, Advanced Media; Performance and Technology]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[theory]]></category>
		<category><![CDATA[de Kooning]]></category>
		<category><![CDATA[Rauschenberg]]></category>

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		<description><![CDATA[optic; structured to be seen in mind and brain, plane thing. / haptic; given to be seen
hans belting, the end of art history. the importance of the viewer, audiences. the end of beholder, to fulfill the audiences's taste. ]]></description>
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<p><strong>working, making, creating is performing.</strong></p>
<p><a href="http://www.tate.org.uk/tateetc/issue8/erasuregenteel.htm"><img class="alignnone" title="Erased de Kooning Drawing 1953" src="http://www.tate.org.uk/images/cms/12543w_erasuregenteel_eraseddekooning.jpg"  alt="" width="438" height="512" / rel="lightbox[roadtrip]"></a></p>
<p>see <em>Erased de Kooning Drawing</em>, 1953 by Robert Rauschenberg</p>
<p>optic; structured to be seen in mind and brain, plane thing. / haptic; given to be seen</p>
<p>hans belting, the end of art history. the importance of the viewer, audiences. the end of beholder, to fulfill the audiences&#8217;s taste.</p>
<p>To change the whole scene, then hold tightly one conviction, and broke it. then whole scene will reconstructed.</p>
<p>* Guy Debourd, the society of spectacle.</p>
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