February 17, 2005
magnatune updated
New at Magnatune (Feb 16, 2005)
Eight new artists join us on Magnatune:
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hands upon black earth: solid, sensual, organic, languorous electronic
music
http://magnatune.com/artists/hube
Pain Factor: heavy metal with strong melodies and big riffs
http://magnatune.com/artists/pain_factor
Lizzi: groovy downtempo rock
http://magnatune.com/artists/lizzi
Wadsworth and Sampson: lute songs from the Renaissance
http://magnatune.com/artists/wadsworth
Professor Armchair: demented 19th century children's music
http://magnatune.com/artists/armchair
재기 발랄, 약간 골 때리는 음악. 19세기 동요라니 .. :-)
Seth Carlin: fortepiano music from the early 1800s
http://magnatune.com/artists/carlin
Chris Harvey: gentle, intelligent electronic music
http://magnatune.com/artists/chris_harvey
Antonio Meneses: Bach Cello Suites
http://magnatune.com/artists/meneses
바흐는 이유가 없다. 그냥 듣고 보는 거다.
and 7 new albums from existing Magnatune artists:
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Stargarden: huge ambient compositions.
new album: "Music for Modern Listening"
http://magnatune.com/artists/stargarden
Artemis: deliciously groovy electro-pop
new album: Gravity
http://magnatune.com/artists/artemis
Paul Berget: renaissance lute, modernized.
new album: SL Weiss on 11 Strings
http://magnatune.com/artists/paul_berget
류트라서 약간 기대하고 있음.
Lisa DeBenedictis: ethereal, shimmering textural pop.
new album: Tigers
http://magnatune.com/artists/debenedictis
DAC Crowell: ambient/electroacoustic New Music.
new album: The sea and the sky
http://magnatune.com/artists/dac_crowell
c. layne: 1960s rock in a 21st century bedroom
new album: The Sun Will Come Out to Blind You
http://magnatune.com/artists/clayne
Claire Fitch: ambient cellist
new album: Ambiencellist Part II
http://magnatune.com/artists/fitch
일단 들어보고 얘기하자. 이름은 거창하군. 엠비언트 첼리스트
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Check out the Magnatune blog, where you peek behind-the-scenes to see
what
it's like trying to change the music industry:
magnatune에 대해서는 여기를 참고!
ACCESS Project by Marie Sester
post from ACCESS Project
ACCESS is a public art installation that applies web, computer, sound and lighting technologies in which web users track individuals in public spaces with a unique robotic spotlight and acoustic beam system. The robotic spotlight automatically follows the tracked individuals while the acoustic beam projects audio that only they can hear. The tracked individuals do not know who is tracking them or why they are being tracked, nor are they aware of being the only persons among the public hearing the sound. The web users do not know that their actions trigger sound towards the target. In effect, both the tracker and the tracked are in a paradoxical communication loop. The ACCESS spotlight system travels from one undisclosed public space to another. The exact location of the public space is revealed only after ACCESS moves to its next location. The ACCESS website, which contains the webcam view and spotlight control, keeps an updated list of the locations visited as well as a video archive.
The content of ACCESS calls for awareness of the implications of surveillance, detection, celebrity, and their impact on society. The structure of ACCESS is intentionally ambiguous, revealing the obsession/fascination for control, visibility, and vigilance: scary or fun. ACCESS was primarily influenced by the beauty of the surveillance representations (x-rayed bodies, luggage or vehicles, 3D laser scans, satellite reconnaissance imagery, etc.), the invisibility of the collected data, and the power generated by means of surveillance practices.
관음증과 노출증의 실시간 조우, 이게 웹의 본질일지도.
project by Marie Sester